Wednesday, 30 March 2011
Tuesday, 29 March 2011
Saturday, 26 March 2011
Decades passed before I was recommended to read the classic ‘experiment in biography’ The Quest for Corvo by A J A Symons, which through a series of epistolary investigations and personal interviews with those who had met him, paints a portrait of a strange, obsessive, difficult, pedantic and ultimately lonely individual who spent many years in poverty writing numerous books and articles which were pretty much ignored in his day. It is also interesting to discover how he was befriended on many occasions, mostly by members of the closely closeted homosexual community of the period (by reading between the lines of The Quest) and managed to turn any potential friend into a ruthless enemy – in his own mind at least. His perverse behaviour was to be his fatal flaw.
One of the most fascinating parts of Symons’s book is the examination of how Corvo’s reputation grew after his death, until he inspired a collector’s cult, for which any scrap of paper or jotting had immense value. The collective name for his writings and memorabilia is known amongst bibliophiles as Corviana – Donald Weeks, an especially obsessive collector and biographer died in 2004; his collection eventually was given to Leeds University. The fate of various Corvo texts has also inspired a huge amount of detective work and manuscripts once thought lost forever have been rediscovered by diligent, truffle-hunting researchers.
Personally I find Rolfe’s writing difficult to take in large doses – he revels in language but also loves to invent new words, which always annoys this reader, whoever does it. I also read his autobiographical novel Nicholas Crabbe last week, again I find the obsessive tone wearying, but it provides a useful insight into his dealings with important publishers of the late 19th and early 20th centuries such as John Lane and Grant Richards.
Friday, 25 March 2011
6.30-8.00 pm FREE
In the 1970s Bill Bruford played drums and percussion in some of Britain’s most successful bands Yes, King Crimson, Genesis and UK as well as such cult groups as Gong and National Health before forming his own band Bruford. From 1985 he played in the jazz group Earthworks until his retirement from public performance in 2009.
Tonight Bill will read from his autobiography (published by Jawbone Press, 2009) and answer audience questions. Copies of the book will be for sale on the night.
‘Bruford's autobiography not only provides a humorous insight into the daily detail of a successful musician's life but also grapples with the big existential issues of what it takes to be an artist of any sort in the modern world.’ The Guardian
Monday, 21 March 2011
Saturday, 19 March 2011
Wednesday, 16 March 2011
Thursday, 10 March 2011
Thursday, 3 March 2011
Today, as the weather was sunny, I undertook my first ‘proper’ walk of the year, from Fairlight village through Fire Hills and Hastings Country Park back to my house. An amusing incident occurred on the journey to Fairlight when the inevitable bus-borne alcoholic dropped his can of beer, which exploded and soaked most of the pensioners at the front - he didn’t bother apologising.
On an earlier visit to the church of St Andrews Fairlight (the tower can be seen from many miles around and can be climbed on certain days) I had made an interesting Decadent London-related discovery: in the graveyard can be found the burial place of Richard D’Oyly Carte (1844-1901) theatre impresario well known for staging Gilbert and Sullivan’s most famous works under the auspices of Mr R. D’Oyly Carte’s Opera Company. My photo of the grave above.
He also commissioned the construction of the Savoy Theatre, the first public building in the world to be lit by electricity; it opened on 10 October 1881. On that day Patience, G & S’s satire of the aesthetic movement, moved to the Savoy from the Opera Comique, where it had debuted on 23 April 1881. The character Bunthorne has been taken to be based on Oscar Wilde, but initially was probably modelled on Swinburne and Rossetti. D’Oyly Carte managed Wilde’s American lecture tour in 1882. His Savoy Hotel next door to the theatre opened in 1889 – it was recently reopened after a huge refurbishment programme.
Tuesday, 1 March 2011
Just completed Whoops! by John Lanchester, an idiot's guide to an idiotic financial system which many of us shall be bailing out for the foreseeable future while the people responsible for the recent disasters pocket large bonuses and generous pensions. In 200 pages Lanchester manages to explain, even to finance ignoramuses such as myself, the ‘flaw in the model that I perceived is the critical functioning structure that defines how the world works’, in the words of Alan Greenspan, the man in charge of US financial policy (and disciple of dodgy ‘philosopher’ Ayn Rand) during the crucial years.
In a nutshell Lanchester believes that the credit crunch, ‘was based on a climate (the post-Cold War victory of free-market capitalism), a problem (the sub-prime mortgages), a mistake (the mathematical models of risk) and a failure, that of the regulators.’ He describes in damning detail the origins of the crisis in a quasi-religious, self-deluding belief amongst financial ‘experts’ and governments such as those in the US, UK, Ireland, Iceland and Spain in ‘the market’ and its miraculous self-regulating properties, coupled with newly minted financial instruments such as CDOs (collateralized default swaps) CDSs (credit default swaps), which few fully understood but in which many bankers had blind unswerving belief, especially when they were earning them huge salaries and bonuses. This money-making edifice was built on foundations so shaky and insubstantial that most intelligent outsiders, had they been properly informed of the nature of these transactions, could have predicted a disaster waiting to happen – a few astute bankers and journalists did, but they were ignored or shouted down by the true believers. In the US in particular outright fraud was perpetrated by the likes of Enron and Bernard Madoff.
Over here the inevitably dire outcome was not helped by a housing-price bubble that was bound to burst hyped up by hours and hours of daily gung-ho television programmes telling us we were stupid not to be buying up properties to rent out, or purchase a couple of extra houses to do-up and sell for a massive profit; these shows seem strangely to have diminished in number now. He also points out that Britain has half the total European credit-card debt.
For those put off by the finance jargon of the first five chapters, the final two chapters of the book could be read on their own as they encapsulate the central problems of the whole enterprise. This is pretty much summed up in the section quoted below [from pp187-188]:
‘Mrs Thatcher began, and Labour continued, a switch towards an economy that was reliant on financial services, at the expense of other areas of society. One can disagree…with that policy, but what was equally damaging for Britain was the hegemony of economic, or quasi-economic thinking. The economic metaphor came to be applied to every aspect of modern life, especially the areas where it simply didn’t belong. In fields such as education, equality of opportunity, health, employees’ rights, the social contract and culture, the first conversation to happen should be about values and principles; then you have the conversation about costs, and what you as a society can afford. In Britain for the last twenty to thirty years that has all been the wrong way round. There was a kind of reverse takeover, in which City values came to dominate the whole of British life. There needs to be a general acceptance that the model has failed. The brakes-off, deregulate or die, privatise or stagnate, lunch if for wimps, greed is good, what’s good for the financial sector is good for the economy model; the sack the bottom 10 per cent, bonus-driven, if you can’t measure it it isn’t real model which spread from the City to government and from there through the whole culture, in which the idea of value has gradually faded to be replaced by the idea of price.’
No lessons appear to have been learned from the recent debacle. In The Quiet Coup, Simon Johnson, formerly chief economist of the IMF recorded that as part of his work he had, ‘acquired an extensive experience of countries which had effectively been captured by a ruling elite who governed entirely in their own interests. His startling conclusion about the current crisis is that the US has become one of those countries.’ Given the number of millionaires and ex-public schoolboys in the current cabinet, the same conclusion might be drawn about our own present situation.