On Sunday went to the Electric Palace cinema in Hastings Old Town to see Swandown the film of the collaborative project between Iain Sinclair and Andrew Kotting, in which they borrowed a swan pedalo from the lake on the seafront and pedalled it all the way up to the site of the London Olympics by sea, river and waterway in the Indian summer of 2011. Interesting film supported by a limited edition book - I had to buy a copy - with emails and texts generated by the journey together with pinhole photographs taken by Anonymous Bosch using a Swan Vestas matchbox. Kotting was on hand to explain the film and answer questions afterwards. I couldn't agree with the questioner who found the imagery of river banks, forts and walls oppressive - I thought it seemed like a much more liberating experience. I've still not decided whether to ask Iain Sinclair to contribute to the next book - we have a few big names onboard already.
By way of contrast with Swans, we saw 10cc in Eastbourne on Saturday: thoroughly professional and entertaining show with some very skilled and versatile musicians and singers (culminating in an acapella version of Donna) - it's easy to forget how many hits they had and the support set was Graham Gouldman (looking remarkably youthful) and most of the group playing his many memorable hits for others such as The Hollies and The Yardbirds. Art or Art's Sake became a prog epic and I even found my foot tapping to Dreadlock Holiday, a record I loathed when it was all over the radio in 1978 and still wouldn't listen to out of choice. Mick Wilson the singer and multi- instrumentalist also sings in Three Friends, who I enjoyed, with their new line up, at the Ropetackle Arts Centre in Shoreham a few weeks back. Looking forward to seeing The Fall in Islington tonight and The Roller Trio in Brighton on Monday.