Showing posts with label Secret Tunnels of England: Folklore & Fact. Show all posts
Showing posts with label Secret Tunnels of England: Folklore & Fact. Show all posts

Tuesday, 9 September 2025

London Underground Horror Films and Folklore - talk at the Miskatonic Institute of Horror Studies




Another date for the diary. For the Miskatonic Institute of Horror Studies, an in-depth study of horror films and folklore on the London Underground that will include Quatermass and the Pit, Bulldog Jack , Death Line and various other chthonic chillers. To be held at the Horse Hospital in London on Tuesday 14 October. I shall also be selling copies of my latest book Mansion of Gloom.

Book though the link here.


Sunday, 8 May 2022

Aleister Crowley Talk at Electro Studios

 


As part of the Silverhill Press Presents events on 21 May I shall be promoting Accumulator Press and giving a short presentation on the book Netherwood: Last Resort of Aleister Crowley.

The few remaining Accumulator Press books that I have will be on sale: Decadent London, Netherwood, Secret Tunnels of England and there will be the opportunity to crowdfund/pre-order my next book Mansion of Gloom.

Accumulator Press on Big Cartel here

Electro Studios St Leonards on Sea 11-7.

The illustrated Crowley at Netherwood talk will begin at 1pm 

A Talk in St Leonards on Aleister Crowley at Netherwood

 










Saturday, 21 November 2020

Underground Folklore Talk

 

There have been over 200 bookings so far for the talk on 8 December.

As it's a virtual talk on TEAMS there are plenty of places left.

Booking here.

It will probably be the last occasion to buy a hardback copy of Secret Tunnels of England: Folklore & Fact as there are less than 10 copies left and I imagine they will all sell on the night.

Accumulator Press books can be bought here or keep an eye out on eBay.

I heard on Radio 4 the other day about an online folklore project (The Everyday Lore Project) that could be of interest to some. 

See here

When I was working on my book The Folklore of London I tried to attend as many folklore events and ceremonies in London in one year as I could, work, family and eligibility permitting. I imagine this year very few of them went ahead. Let's hope that some of them will be taking place once more in 2021.

30/11/20 I've been told that there have now been over 600 bookings for the talk! There are still places left. I'll have to start doing some serious preparation!

08/12/20  There area now over 1000 people booked for this talk, which is very impressive, if intimidating.



Saturday, 31 October 2020

Talk on the Folklore of Underground London

It looks as if online talks will be with us for the foreseeable future.

My next online talk will be on Tuesday 8 December and the topic is Folklore of Underground London. Expect secret tunnels, strange creatures and subterranean spectres, some of which have appeared in this blog over the years.

The event has been organised by the City of Westminster Archives Centre. 

Booking through Eventbrite. See here.

The advantage of these talks is that anyone anywhere with access to the internet can participate.

Happy Halloween!

Thursday, 8 October 2020

The Mystery of Subterranean Selfridges: A Summary





A couple of 'meaningful' coincidences in the last week have alerted me to the fact that I should update the blog post on the alleged Victorian street beneath Selfridges. It's by far the most visited post and the way it's laid out is rather confusing and cluttered. So, here is an attempt to present the material in a more logical way with some added comments in the light of new material.

It was first posted on 10 April 2013.

At the talk for the South East London Folklore Society last week an audience question came up yet again about the existence of a perfectly preserved Victorian street of shops somewhere beneath Oxford Street. I think that the first time this came to my notice was when I was asked about it by Robert Elms during my first appearance on his radio show c.2001; at the time I honestly professed to know nothing about it and the whole thing seemed pretty absurd to me. It has since resurfaced (so to speak) on numerous occasions. I did say at the SELFS talk that I would look into this tale one more time and put my findings on the blog. The result has turned out to be more interesting than I might have thought.

Searching on the internet you can find a number of threads devoted to this topic. On one for example someone poses the question:

'Does anybody know anything about the supposed Victorian High Street underneath the present Oxford Street? Evidently Oxford St was raised up years ago but there is a tunnel underneath where the original cobbled road still stands and the part facias [sic] of Victorian shops. Or is this just an urban myth?'

In my Folklore of London book (2008) I wrote this [original text not the edited published version]:

‘Viewers of the 1991 Channel 4 Christmas Special The Ghosts of Oxford Street, directed and narrated by Malcolm McLaren were treated to a rare sight: behind a door in the basement of Selfridges there survives a complete underground Victorian street, perfectly preserved, with period frontages intact, supposedly lying directly beneath the modern street above. This piece of trickery has since entered London’s subterranean folklore and references to it continue to appear in magazines and on websites.’ 

My information was taken from various discussions about the film on the internet; perhaps naively I assumed that one or two of these participants had actually viewed it and remembered it accurately.

At the time that I was writing my folklore book I tried to obtain a copy of The Ghosts of London but it wasn't out on dvd and didn't appear on You Tube or anything similar; nobody I knew had recorded it. Last week, however, another audience member told me that it could now be seen on Channel 4’s tv on demand website here. So yesterday I finally managed to see this intermittently entertaining former rarity (with a ridiculous performance from Leigh Bowery) on my laptop and guess what? I cannot find the scene filmed in a perfectly preserved street of Victorian shops under Oxford Street. 

Selfridge’s certainly features heavily (the whole of part 2 of the 54 minute film is devoted to it) and there is a scene where Tom Jones dressed in Edwardian [?] costume (as Gordon Selfridge presumably) descends on an escalator to a floor of the store where the staff are dressed in period clothes – Twenties-looking to me, although the displays and products are modern. Other scenes take place inside Regency/Victorian rooms or sets or outside modern Oxford Street shops.  

The main candidate for the street scene must be the section on Thomas de Quincey (1785-1859), played by John Altman, filmed in what looks like a set, dressed to signify decadent dilapidation, intended to represent shops, as an obviously non-authentic sign reads ‘Boots apothecary’. There are however no ‘perfectly preserved’ Victorian shop fronts, nothing to indicate that it lies beneath Selfridge's and, owing to the camera position, no view of a cobbled street. On the same thread mentioned above another contributor claims that:

‘John Altman who played Nick Cotton in Eastenders… was in a bit of the film apparently actually under Oxford Street where there still exists part of this Victorian Street…He claimed Malcolm McLaren let him through a hole in the basement of Selfridges.’  

In another scene the present-day (1991) McLaren chases an actor playing his younger self into the Eisenhower Centre secure storage facility in Chenies Street. The boy descends in an old-fashioned ‘cage’ lift to a dimly lit tunnel that could be part of the former deep level shelter beneath Goodge Street tube station (you can also hear a tube train in the background, although this could have been added in post-production). Security Archives appear in the credits, so it seems that this sequence was filmed within that facility.  

By a strange coincidence the deep level shelter was used by Eisenhower (in his capacity as Supreme Commander of COSSAC, later absorbed into SHAEF) and his officers for a period during the Second World War, after he had rejected an annexe of Selfridge’s at No.14 Duke Street W1 - ‘a sizeable steel and concrete structure blessed with deep basements running 45 feet down’ - which later housed the SIGSALY code-scrambling computer. 

It should also be borne in mind that the now defunct Mail Rail/Post Office Railway (opened 1927, closed 2003) runs around 70 feet down, just to the north of the section of Oxford Street on which Selfridge’s stands. The Central line, opened as the Central London Railway from Bank to Shepherd’s Bush on 30th July 1900, also runs under the bustling thoroughfare. All the above is covered in my book Subterranean City, beneath the streets of London (now - October 2020 - out of print and just waiting for an enterprising publisher to request an updated version).

My copy of The Twopenny Tube by Bruce & Croome (1996) says on p23: ‘The large store of Harry Gordon Selfridge was being built near Bond Street station in 1908 and opened on 15th March 1909. Selfridge used many innovative marketing initiatives, but his suggestion that Bond Street station be renamed Selfridge’s was cold shouldered by the railway.’  

I have never had a behind-the-scenes tour of Selfridge’s myself, but a reporter from Time Out who has, certainly did not uncover anything unusual, although it’s interesting that while she makes no mention of the ‘preserved street’ she does refer to an alleged ‘abandoned tube station’ (article posted on the Time Out website on 10 November 2006):

‘We start by heading down into the basements. Myths abound about this subterranean world and, sadly, most of them are just that. There is no abandoned tube station, though Selfridge did lobby to get an underground tunnel built from Bond Street station up into the store – and have the station renamed ‘Selfridges’. Neither was there a river running through it – though there was an artesian well that served the building for years.

There are two levels of basement beneath the lower-ground shop floor: the ‘sub’ and the ‘sub-sub’, descending 60 metres below street level. These are split into two more areas: the dry sub and sub-sub, and their ‘wet’ equivalents. The wet area, more dank than watery, is beneath the original building, while the dry is under the rear building, known as the SWOD (after the four streets – Somerset, Wigmore, Orchard and Duke – that once enclosed it). 

During WWII, the SWOD’s basement was used by 50 soldiers from the US Army Signal Corps; there were even visits from Eisenhower and Churchill. The building had one of the only secure telex lines, was safe from bombing, and was close to the US Embassy on Grosvenor Square. According to Jarvis, a tunnel was built from Selfridges to the embassy so that personnel could move between the two in safety. Interrogation cells for prisoners were hewn from the uneven space available.’ 

With reference to the last two sentences, do we have another folkloric ‘secret tunnel’ to add to the hundreds supposedly under London? This is the first time I've seen reference to a tunnel from Selfridge’s to the American Embassy, but as it was constructed during wartime, as many other similar tunnels and shelters were, it cannot be dismissed totally. Perhaps when the American Embassy site is vacated in 2017 more details will come to light. 

If you think about it logically, had this street really managed to survive intact, it is incredible that it has not been opened to the public as an attraction or 'vintage retail experience' – especially given its hugely busy and tourist-heavy location.

Could this now firmly established piece of subterranean folklore be based on a misremembering of a small part of the Ghosts of Oxford Street that was, as far as I know, only shown on the one occasion in 1991; the urban legend does not appear to predate that year (Robert Elms asked me about it ten years later). The film had not subsequently been readily available on video or dvd (although some people must have taped it presumably?) so this fascinating misinterpretation (possibly coupled with the John Altman comment –if indeed that was ever actually said - or deliberate misinformation from the arch-prankster and former Situationist McLaren) became known through word of mouth, programmes such as the Robert Elms show and the internet? I shall have to go with this theory for now.

On 10 April 2013 I added the following;

As I intend to talk about this topic tomorrow night at Kensington Central Library I thought it was about time that I asked Selfridge's Press Office about this long-standing rumour. They told me that it was  a myth started by the Ghosts of Oxford Street film, as I suspected. Funnily enough, a few months ago, I was emailed by someone at the City of Westminster Archives Centre who had been contacted by a man who swore that he had visited a street of shops beneath Selfridge's in his youth.

On 23 June 2015 I added:

During research for my next book [Secret Tunnels of England: Folklore & Fact] I found out that Selfridge's is adding to its underground domain:

'In 2004 Selfridges announced a multi-million pound refurbishment and expansion programme for the store, which will include the construction of a tunnel connecting it to the recently-acquired Nations House in Wigmore Street, probably for the use of its 3000 staff, rather than customers.' Iain Withers 'Selfridge's picks team for revamp of flagship Oxford Street store' Building 27 February 2014.

On 19 April 2016 I added:

The mystery of the Victorian street under Oxford Street deepens (perhaps). A fairly old online post that somehow eluded me previously states that in fact the remnant of Victorian shops could be found several levels below what was the Lilley & Skinner shoe shop at 356-360 Oxford Street (very close to Selfridge's) and it was this location that Malcolm McLaren used when filming the Ghosts of Oxford Street. The cobbled street gets a mention and we are also told that the council had a 'preservation order' on it. The building is now a branch of Forever 21. I shall endeavour to check this out as soon as I can.

Another personal account was given to me in the pub (so my recall may not be perfect) after the hugely successful Subterranean Saturday talks at Conway Hall on the 9th of this month. A man told me that in the late 1960s he had delivered some clothes to Selfridge's - he had to take them down to a basement area that had been dressed to resemble a Victorian street. 

Now this is all very possible: that period did start to become fashionable in the late 60s and it is understandable that a large department store would want to evoke a Dickensian/Victorian atmosphere, especially around Christmas. But surely this arrangement would not have survived for another 20 years or so, when the Ghosts of Oxford Street came to be filmed? 

Later, I tried contacting Forever 21 to ask about the lost street beneath their premises, but to no avail, so one day, as I happened to be in central London I visited the store on Oxford Street. I have no recollection of visiting the Lilley & Skinner shop that was once based there in my youth. The building has only one lower-ground floor - this was confirmed by a member of staff - there are no lower levels - at least not accessible these days, if there ever were. It is on one side of Stratford Place, a fascinating historical cul de sac and close to the route of the 'lost' river Tyburn. I couldn't use Bond Street station as the area adjacent to the store is being prepared for Crossrail. See Westminster City Council's site here - under Stratford Place - where you can download a pdf.

In October 2020 I found that the estimable Survey of London had recently published a volume devoted entirely to Oxford Street, which has made what I always thought rather a dull street (apart from the thousands of bustling pedestrians) come to life and is packed with interesting architectural detail, maps and lovely photographs old and new. There is a long section (pp179-206) devoted to Selfridge's and contains all the detail you would need about the ownership of the land, plans for construction, the building and fitting out of the department store and the various expansions over the decades. Nowhere, of course, is there a mention that during its construction it was decided to preserve a row of Victorian shops in its basement area. In fact the building stands on what was previously the London branch of furniture makers Gillow & Co, who occupied part of the site from 1769 to 1906. There is also a very comprehensive history of the store by Gordon Honeycombe, Selfridge's Seventy-Five Years of the Store 1909-1984 (Park Lane Press, 1984).

Another very interesting blog post suggests that an early Medieval cistern under Stratford Place next to Forever 21 (once Lilley & Skinner) may be responsible for the belief in an underground structure of some kind in the vicinity of Oxford Street. See here. There is also a comment from 2017 written by a lady who says that she worked at L&S and saw the famed subterranean street with her own eyes.

See also a follow-up post here with other eye-witness claims that the street really does exist.

It looks as if this one will run and run - although a medieval cistern - fascinating as it sounds - is not a street of well-preserved Victorian shops with a cobbled street, which is what the original story is all about. For the history of water supply in the area see The Lost Rivers of London and books by Tom Bolton amongst others.



 





Monday, 1 June 2020

The Ludham Dragon





While I ponder whether to republish Secret Tunnels of England, here's an extract about an unusual event in Norfolk (pp.68-69).


The Norfolk village of Ludham was said at one time to have been terrified by a fearsome winged dragon, twelve to fifteen feet in length, which appeared every night, forcing the residents to stay indoors between the hours of sunset and sunrise. For its lair, the dragon excavated a series of tunnels beneath the heart of the village: from the corner of St Catherine's churchyard they passed under the high street and local inn. At dawn, after the monster retired to its subterranean home, the villagers desperately tried to fill the entrance with rocks and rubble, only to see the creature burst forth once more each evening.

On a particularly sunny day the dragon unexpectedly emerged from the tunnels to bask in the warm sunshine in the centre of the village. Seizing the opportunity, one brave man laboriously rolled a huge boulder into the entrance to the dragon's tunnels, sealing them shut. Returning to its lair, the dragon found the obstruction impossible to dislodge. Furiously lashing its tail, the enraged beast flew towards the Bishop's Palace (now the site of Ludham Hall) and along the causeway to the ruined Abbey of St Benet, where it passed under the great archway and vanished in the vaults beneath, never to be seen again. The dragon's tunnels were later filled in.

This legend, recounted in a manuscript in the Norfolk Record Office, is undated, but may have been based on an actual event. The Norfolk Chronicle for 28 September 1782 contains the following brief report:

'On Monday the 16th inst. a snake of an enormous size was destroyed at Ludham, in this county, by Jasper Andrews, of that place. It measured five feet eight inches long and was almost three feet in circumference, and had a very long snout; what is remarkable, there were two excrescences on the fore part of the head which very much resembled horns. This creature seldom made its appearance in the daytime, but kept concealed in subterranean retreats several of which have been discovered in the town ... The skin of the above surprising reptile is now in the possession of Mr J Garrett, a wealthy farmer in the neighbourhood.'

A few years ago I was passing through the village and took some photographs see above. The King's Arms pub, St Catherine's church and a local information panel with the story of the dragon.

Wednesday, 29 April 2020

Book Orders


Book orders through the Big Cartel are still being taken and all three books are available.  Secret Tunnels of England is now down to 12 copies and I shall have to take it off the site in the next few days. I am considering a reprint although, owing to the high price for printing the hardback edition (after five years it has only just covered production costs), it will have to be a paperback -probably the same style as Decadent London (with French flaps).

I've been thinking about offering them as e-books, but I still personally prefer physical paper books - the costs of typesetting, design and printing however make this an expensive business at a time when people's finances are increasingly uncertain. One good thing about e-books is I don't have to lug them across London in a suitcase to talks!

See here.

Understandably, there have been no orders for the last month or so, although they have resumed this week, which is a good sign. Readers in the USA are particularly keen.

I sincerely hope that, after the lockdown eases, the independent book shop network will have survived. Above photograph taken in early March of the front window at Gay's The Word in London.

Tuesday, 31 March 2020

'Traces of Mithraism in Kent'




The rescheduled Underground Folklore talk did go ahead, but in the present isolation situation all other talks will have to be postponed until later in the year.

In the meantime, I'll endeavour to write up some of the stuff for this blog that's been sitting on my desktop for ages without action.

A while ago we did a circular walk from Appledore in Kent that included a stretch of the Royal Military Canal and a visit to St Mary's church in Stone-in-Oxney. The church was rebuilt following a fire in the fifteenth century and has a number of interesting features, the most unusual of which can be found in the rear of the building under the tower. It is a large almost square piece of carved Kentish ragstone, 2 feet by 1 foot 10 inches and 3 feet 4 inches tall with a distinct carving of a bull on the side facing the viewer - the other three sides are too badly damaged and eroded to make out the images, but it is assumed that they also include carvings of bulls (see Notes and Queries below). It is commonly identified as an altar from a temple dedicated to Mithras that was either on the site of the church, or in the near vicinity.

I've visited a number of Mithraea over the years: San Clemente in Rome, Martigny in Switzerland, and Carrawburgh Roman Fort on Hadrian's Wall amongst others. Of course, one of the most famous is the Mithraeum uncovered along the Walbrook in the City of London after the Second World War that has in recent years been relocated and reconstructed as part of an atmospheric and numinous visitor experience that is highly recommended. See here.

Sculptures from the temple were also preserved and are now on display in the Museum of London. The most interesting shows the culmination of Mithraic rites, the slaughter of a bull, or tauroctony. We saw a very impressive example at the Louvre in Lens a few years ago. See here.

The church at Stone-in-Oxney provides a laminated copy of an article from the journal Bygone Kent (c.2000): 'Traces of Mithraism in Kent' by R.B. Parish (I haven't been able to find the text of this article online for a link, but I quote from it below) which is very informative.

A basin has been carved into the top of the stone and the article quotes Rev. Grevile Mairis Livett (misspelled as Levit) Fellow of the Society of Antiquaries (his obituary can be found here): 'The most significant feature is the focus hollowed out of the top for the reception of libations made to the god, or of the exta (internal organs) of the slaughtered animals to be burnt, while the flesh was consumed at the sacrificial feast.' It is also noted that the basin once had an iron lining.

Livett's description of the stone continues: 'It has certain peculiar features: there is no inscription such as is usually found on Roman altars on the front face, while the sides are usually blank or may have symbolic carving on them, the back being plain. In this case, the bull, repeated on all four sides, must be regarded as the symbol of the god, and I imagine it must indicate the devoting of the altar to the soldier's god Mithras, though his altars are generally sculpted with a representation of the taurobolium ie. Mithras slaying the bull.'

'Set into the foot of the structure is an iron ring which rather erroneously has been suggested was where victims were secured to be sacrificed. This would, however, appear to be unlikely and it would be more feasible that it was set into the stone when it was used as a horse mounting block and thus was to tether the horses to.'

The stone is mentioned in Notes & Queries Oct 23 1869 (p.347): Stone Altar. This object is not noticed in the Archaeologica Cantiana. The only account I have seen of it ... is the following from Murray's admirable Handbook: "In the garden of the vicarage of Stone is preserved an ancient altar (Brito-Roman?) which before its removal there had, time out of mind, been kept in the church. It had figures of oxen on four sides, only one of which is now perfect. At the foot is an iron ring for securing victims (?) and vestiges of the iron lining to the basin existed until very recently. This altar seems to illustrate the name of the district, 'Oxney', the cattle island."'

The village website informs us: 'At that time the temple and its military outpost would have been on the coastline, overlooking an extensive marshy delta. The higher ground of the Isle of Oxen formed the edge of the great Wealden forest of Anderida.'

Tradition had it that the stone had been discovered at an unknown date under the north chapel floor where it remained until the eighteenth century when it was moved to the vicarage garden and used as a mounting block for horses. Historian Edward Hasted noted that during this period 'it suffered considerable damage, becoming cracked and mutilated.' Hasted's History of Kent has an illustration, as does Camden's Britannica, according to Parish's article.

It's worth reading 'Historical Notes on the church of Stone in Oxney, Kent' by W.H. Yeadle (1935) which can be read as a pdf here.

In the early 1920s antiquarians wanted the stone to go to Maidstone Museum or be protected by a shelter, but in 1926 it was moved from the vicarage garden to its present location inside the church, a feat achieved by public subscription and support of the Kent Archaeological Society.

It has been suggested that the altar may have come from the Saxon Shore Fort called Stutfall Castle at Lympne. See here.

Interestingly and I suppose inevitably local folklore also includes tales of secret tunnels in the vicinity, to quote from the Bygone Kent article once more, with the author's highly speculative interpretations:

'It may also be significant that Kenardington, not far away [about 5 km to the north east] on Romney Marsh, is associated with three interesting pieces of folklore which may have relevance here. One is that the church is built upon a mound, beneath which are said to be "tunnels", for which one could read a Mithraeum. These are bizarrely said to be haunted by a coach, perhaps a folk memory of Roman chariots. The third is that somewhere in the land around it is said to be hidden a golden calf, which is of course the sacred symbol of Mithraism. Sadly no Roman remains have been unearthed to support the theory and the mound on which the church sits is generally believed to be Danish. Yet, these possible folk memories are highly suggestive, and the stratum, sandstone, would be easy to tunnel into. Perhaps then this was another Christianised site, or the altar came from Kenardington.'

In my Secret Tunnels of England I mention the widespread folklore of buried golden calves - possibly a memory of pre-Reformation statues of saints and other Catholic treasures, rather than Mithraic origins. I hope to visit Kenardington soon, as it does not appear in my book, but sounds worth including if there is ever a second edition.

Wednesday, 18 December 2019

2020 Talks


Three talks have been confirmed this year, with more in the pipeline.

NEW ADDITION: DECADENT LONDON at TREADWELLS BOOKSHOP
Thursday 20 February 7.30 pm: see their website for details. HERE

Thursday 27 February SECRET TUNNELS: FOLKLORE OF UNDERGROUND ENGLAND
Kensington Central Library Lecture Theatre  6.30-7.30 pm FREE. More information and book through Eventbrite here
Part of a mini Folklore Festival in which, amongst others, Christopher Josiffe should also be giving a talk.

Thursday 26 March WHISTLER: CHELSEA'S GREATEST ARTIST Chelsea Library 6.15-7.15 pm
More information and book through Eventbrite here FREE

Thursday 9 April DECADENT WESTMINSTER City of Westminster Archives Centre 10 St Anne's St, Westminster, SW1P 2DE (details to follow)  FREE

Sunday, 8 December 2019

New Edition of Decadent London




The new revised and expanded edition of Decadent London has arrived from the printers and it looks and feels great. It is now over 400 pages in extent and includes a walk around 1890s London at the back.

Available for purchase now from The Big Cartel here

Treadwells bookshop, Bloomsbury, London here

Watkins in Cecil Court, London here

Gay's The Word, London here

More outlets to follow.

Review of the first edition from The Independent on Sunday here

Review of the first edition from The Open University here

Thursday 12 December 'Oscar and Friends' A free talk at Kensington Central Library with Nina Antonia and Darcy Sullivan here  Copies of Decadent London will be on sale at this talk for a substantial discount.

Very limited numbers of Secret Tunnels of England: Folklore & Fact available from Big Cartel here


DECADENT LONDON BY ANTONY CLAYTON, FOREWORD BY MAX DECHARNE

As the dawn of the twentieth century loomed, London was undergoing tremendous changes, establishing itself as the heart of one of the most powerful empires the world has ever seen. However, in the same decade that witnessed the celebrations of Queen Victoria's Diamond Jubilee a diverse group of writers, artists and poets sought to subvert the oppressive cultural and moral atmosphere of the period. This was the city explored by Oscar Wilde, Arthur Symons, Aubrey Beardsley, Frank Harris and Ernest Dowson, together with their less well-known compatriots Lionel Johnson, John Gray, John Davidson and the mysterious Count Stenbock.

Using a thematic approach, Decadent London recreates the artistic milieu of this turbulent time, described the most popular decadent destinations and provides concise biographical material on the central characters, many of whom became victims of their excessively louche lifestyles. Visit the raucous decadent pubs such as The Crown and The Cock, listen in at the Cheshire Cheese, where W B Yeats read his poems to the Rhymers' Club, enjoy the wit of Wilde and Whistler at the Cafe Royal and explore the idyllic artistic retreat of Bedford Parkin the suburbs. The book also describes the work produced by London's decadent writers and artists, particularly their contribution to the decade's most innovative periodicals The Yellow Book and The Savoy. It outlines the development of the burgeoning music hall scene beloved of many decadents, probes into the underworld of drug taking, pornography and prostitution and uncovers the occult pursuits of the Golden Dawn and the Great Beast Aleister Crowley.

THIS INFORMATIVE GLIMPSE INTO ONE OF THE MOST FASCINATING PERIODS IN THE CAPITAL'S CULTURAL HISTORY HAS BEEN FULLY REVISED AND SUPPLEMENTED BY NEW MATERIAL.



Friday, 1 November 2019

Crowleyan Folklore at Netherwood




There's a large amount of stuff that's accumulated this year for the blog that I just don't have time to write up properly. Anyway, as it's the day after Halloween I thought this piece from my current research was appropriate.

At the moment I'm looking into Aleister Crowley as a figure from English folklore, the most ubiquitous historic candidates are, I suppose, Dick Turpin, Nell Gwyn and Oliver Cromwell, about whom a wealth of folklore exists, much of which concerns various secret tunnels that they used/had constructed - that's all covered in my book 'Secret Tunnels of England: Folklore & Fact'.

What I want to look into at the moment are the connections that have been forged over the years between Crowley and various English or UK locations, some of which he may never have even visited. This was sparked by reading this week The Tregerthen Horror by Paul Newman, which I'll try to review in the next post. In a nutshell: this is an entertaining enough book that starts out fairly sensibly inquiring into an apparently 'mysterious' death in a remote Cornish cottage, but then attempts to trawl in so many murders with ostensibly 'occult' links and a cast of Bohemian and eccentric characters so vaguely connected (although many had met Crowley) that towards the end it becomes hard not to laugh out loud at the absurdity of it all - we even get the Occult Nazis thrown in.

To start with let us return to Hastings and Netherwood. As I say in p.5 of that book: 'One can still occasionally read in the 'Hastings & St Leonards Observer' about "Crowley's Curse' on the town, whereby if you live here you will never be able to leave and if you do leave you will always come back eventually. It is said that throwing a stone with a hole in it into the sea will lift the curse on any Hastings resident.' What seems strange is that Crowley would curse a place where he enjoyed a reasonably comfortable time, albeit increasingly subject to illness, in the intellectually stimulating environment of Netherwood and with access to the famous Hastings Chess Club to pursue his favourite pastime.

There is plenty of information on the folklore of stones with natural holes in them, called Hag Stones, used to deter witches, often hung outside the front door of a house.  See for example here and here. Interestingly there is also Crowleyan folklore attached to the quoits of Cornwall, which I will mention in another post on the Beast in the West Country.

As far as Netherwood itself is concerned The Tregerthen Horror includes some interesting material that I hadn't come across before about the house after his death. I quote from pages 114-115 - my comments in square brackets:

'Crowley may have been dead, but his spirit hovered around Hastings and its environs. A newspaper report on his deserted room being hung with mysterious, oppressive paintings like 'totem poles' [probably The Pier, 1934, known to be in his room], the purpose of which could not be understood. After the boarding house closed [c.1969/70] Netherwood acquired a spooky reputation and lapsed into dilapidation. Packs of boys would clamber over the high barrier and explore the grounds. One youthful marauder recalled entering the Victorian ruin and creeping down to the cellar where a startling sight awaited him. Strewn around the darkness were what might be termed 'cardboard sculptures', cut-outs, man-shaped and emblematic, heavily crayoned and held together by string. They were 'relics' Crowley had used for ritual purposes. It was indefinably creepy, seeing them forlornly hung up on rusty nails and over the backs of broken chairs in that static, dust-filled silence.

'The magician had long passed on, yet his eerie, slightly childish devices lingered like vestiges of an arcane purpose beyond resurrection. [Or maybe they actually were just children's cardboard cut-out figures, or some 'artwork' by an earlier resident. There are a number of quite detailed accounts written by visitors to AC at Netherwood and while they mention the paintings there is nothing about these artefacts.]

'Thus the myth was born in Hastings, the myth of the demon Crowley who, some allege, cursed the place, sapping the willpower of its occupants and making it impossible for them to leave. Hastings became Ixion's wheel, a destiny to which one was tied in the same way that one was tied to drugs, alcohol or the dole queue. In the last two decades [the book was published in 2005] the fortunes of the town started to decline. Crime, narcotics and  powerful Goth scene [more Steampunk these days] dominated the youth culture and Crowley - a heroin addict himself - naturally featured in the myth-making. Although Netherwood was no longer standing, teenagers would point to any brooding property and identify it as the place where the beast had once lived [ a number of gloomy candidates still existed along The Ridge when I first moved to Hastings over 10 years ago, but most have since been demolished, including the Robert de Mortain pub, right next to the site of Netherwood, which was demolished and rebuilt as a small 'gated community' over the last couple of years.]

'Hence Crowley, who had planned to usher in a new aeon of light and love, became associated with the darkness of addiction, dehydration and spiritual inertia. The joyous dance of Pan was reincarnated in the wavering stagger of the junkie negotiating the chip-spattered, polystyrene-carton-clogged streets desperately seeking his ultimate fix.' [ Doesn't make you want to come here on holiday, does it?]

What I always find exasperating in books of this kind is that there are no footnotes and very few references that would enable a researcher to verify various statements and accounts - many of which are taken from novels that the author believes are actually romans a clef that can be taken as 'factual'. At least there is a bibliography, which I am currently exploring.

While working on the revised edition of Netherwood I was told that film maker and Crowley obsessive Kenneth Anger had visited Netherwood when he was in this country toward the end of the 1960s, at a time the house was still operating as a guest house - he stayed for a period with Jimmy Page in his amazing house in Kensington (before he had Robbie Williams for a neighbour). I wrote to Anger at an address I was given in Las Vegas but I never received a reply.

Legendary folk singer Shirley Collins, who grew up in Hastings, recalls (as David Tibet notes in the foreword to Netherwood and as I heard at a folk horror conference) that as a girl she was told not to enter the grounds of Netherwood as a 'black magician' lived there and she would either cross over the road when walking along that part of The Ridge or peddle past furiously on her bike.

A local band has made a record about Crowley's Curse: here

To conclude for now: at a talk I gave a few months ago in London - not on Netherwood or Crowley - an elderly woman approached me afterwards and told me that she had lived in Hastings as a young girl and teenager in the 1960s. She had visited Netherwood many times, as her boyfriend was the son of the owners. They would make love in the house when the parents were out - their favourite room for making the beast with two backs was No.13, the room in which Crowley had stayed.









Tuesday, 25 June 2019

Netherwood still on sale


I've been notified by a couple of interested customers (thanks) that the Big Cartel site was not showing Netherwood and Secret Tunnels of England: Folklore & Fact as still being on sale.

I have made some adjustments at the Accumulator Press page and can confirm that they most definitely ARE on sale - a copy of Netherwood was bought just last night. Sorry for any confusion.

There are less than 50 copies of Secret Tunnels and around 130 of Netherwood remaining (inserts are also still available).

They can be bought from The Big Cartel here.

I don't want to bang on about it, but this week I despatched 16 copies of Netherwood to various shops and individuals and I don't think I'll be producing a third edition, so I can see it selling out in the next few months.

Also available from Treadwells in London and Hare & Hawthorn in Hastings, both shops that I've had very good dealings with and have sold a lot of copies on my behalf.

Caveat Emptor: I recently had a brief encounter with someone who agreed to sell Netherwood and ripped me off - won't name him natch, but the fact that he boasts of being a 'socialist' on his website certainly rankles. Luckily the number of books involved was very small.

The reason for the lack of activity on the blog is that I'm currently working with my trusty typesetter on a new edition of an earlier book, to which I've added considerably more text and much more comprehensive footnotes, together with some different illustrations. I'm hoping to have it printed and published by the autumn of this year. More news soon.

The next event is 26 September talking on Decadent London for Salon for the City with Nina Antonia talking about Lionel Johnson. I'm flattered to see that I'm described as a 'cult writer'.  Tickets available HERE.

Sunday, 27 January 2019

2019 Talks



I think that the talk I gave at Treadwells Bookshop on Thursday went very well and as usual I met some interesting people afterwards. I signed a few books, some had even brought in copies of the first edition of Netherwood for signing. I'd like to thank everyone who came along and especially Christina and her staff at Treadwells who have been the best bookshop outlet for Netherwood.

One young man told me about a writer I have to confess I'd never heard of before called Stephen Volk. He recently wrote a book called Netherwood which features as part of a trilogy of novels about famous men and the locations they are often associated with: so we have Peter Cushing at Whitstable and Alfred Hitchcock at Leytonstone (with Aleister Crowley and Dennis Wheatley at Hastings - although I should point out that these two never met at Netherwood in 'real life').

I'll try to get hold of this book The Dark Masters Trilogy see here.

Also various interviews with the author online. In this one there are a couple of details mentioned that  make me think that the author may have read my Netherwood although he doesn't mention it by name.

Certainly the dramatic and fictional possibilities of Crowley's last three years at Netherwood are still ripe for mining - I have met a couple of lovely chaps who wrote a play about it, although I'm not sure if it's ever been staged and it crops up in A Chemical Wedding (by Julian Doyle & Bruce Dickinson, have to be honest I thought this book  wasn't very good; I haven't seen the film with Simon Callow as AC) and Alan Moore's League of Extraordinary Gentlemen: The Century. I'm sure there must be many others. Obviously, the novel of that name by Jane Sanderson has nothing whatever to do with the Hastings guesthouse.

One point I made in the talk was about the huge amount of misinformation on Crowley (and indeed Netherwood, often referred to as a 'cheap' 'shabby' or 'seedy' boarding house in numerous books, articles and online sources). As just one example see the first post here correcting numerous mistakes to be found in a biography of Led Zeppelin (which also includes a very favourable reference to my book in the 11th citation - thank you to the poster).

Further talks in 2019:

Thursday 31 January Folklore of Underground London Kensington Central Library 18:30-19:30 FREE  BOOK HERE

Thursday 21 February Subterranean City: Beneath the Streets of London 18;30-19:30 FREE
BOOK HERE

Tuesday 9 April Underground Folklore of England Kensington Central Library 18:30-19:30 FREE BOOK HERE

In July I shall probably be talking at Westminster Reference Library about Decadent London and the 1890s. TBC

As usual my books will be on sale at all these talks at discounted prices.

Sunday, 4 November 2018

Talks in 2019




I wanted to take a rest from talks for the remainder of the year, as I'm trying to get some writing done and thinking about republishing one or two of my earlier books in revised and updated editions next year, plus, perhaps, work by other authors (non-fiction naturally).

However, the requests for talks keep coming in, so I've arranged a few for the first part of 2019.

On Thursday 31 January there will be a FREE talk starting at 6.30pm about the Folklore of Underground London at Kensington Central Library. Booking through Eventbrite. See here.

Also at Kensington Central Library Subterranean City: Beneath the Streets of London on Thursday 21 February at 6.30pm. FREE booking through Eventbrite. See here.

Tuesday 9 April a talk on Folklore of Underground England at Kensington Central Library starting at 6.30pm. FREE booking through Eventbrite. See here.

As usual, copies of many of my books will be for sale at these events at reduced prices. I've acquired some of the last copies of Subterranean City, which I'll be selling at these talks until they run out.

I shall be giving a talk about Netherwood: Last Resort of Aleister Crowley at Treadwells bookshop on 24 January. Details here. Treadwells have sold a large number of copies of the book and have done sterling work in promoting it.







Tuesday, 2 October 2018

Open House 2018 and Book Sales




A couple of pictures taken at this year's London Open House. The view from the 42nd Floor of The Leadenhall Building, designed by Richard Rogers and with a terrifying express lift ride on the outside of the building - impressive to be looking down on the 'Walkie Talkie'. Also Michael Ayrton's Minotaur (see earlier posts), now installed outside Salter's Hall, which was open (although I had visited it last year) - Clothworker's Hall was spectacular inside with beautiful tapestries old and new and some excellent examples of book bindings, which the company sponsors, see here. Also visited, but not pictured, The Layered Gallery in Percy Street, which was one of the places that makes Open House worthwhile.

The historic London Stone is about to be returned to its most recent site at 111 Cannon Street in this article. John Clark has written extensively on the history and folklore of the stone, for example here.

Also, a friend sent me a photo of a table display at Treadwells, which has been the best shop outlet for Netherwood, having sold over 40 copies so far.  Secret Tunnels has also sold very well there. Now down to under 50 copies for that book, so the price may start increasing.

All books also available on the shop on The Big Cartel here.

Hare & Hawthorn in Hastings has also been selling copies of Accumulator Press books and did very well during Jack in the Green, see here. Some extra copies have now been delivered to the shop. One Netherwood was shoplifted - appropriate perhaps.

Wednesday, 12 September 2018

Some Suffolk Secret Tunnels




A busy summer school holidays now having finished, I hope to write up some information about a few of the places we visited in England and Wales of relevance to this blog.

Firstly, Lavenham in Suffolk, a very pretty village with a wealth of timber-framed buildings - famous in Folk Horror circles as a location in Witchfinder General see here.

Lavenham appears in Secret Tunnels of England: Folklore and Fact and during our visit I took some photos of some of the buildings mentioned in the text:

'The beautifully preserved medieval wool town of Lavenham in Suffolk includes many half-timbered houses such as the rambling block of buildings in Water Street known as the Priory. Originally the property of the Benedictine Colne Priory at Earls Colne, Essex, the building, which began as a thirteenth-century hall house, has a blocked-up doorway in the cellar leading to a culvert, probably used for the dyeing of wool. According to a local guidebook: 'on the opposite side of this is a corresponding doorway of a subterranean passage leading towards Lady Street (there is authenticated proof of this).' The lavish brochure for the present-day 'boutique accommodation' says 'It is rumoured that there is a secret underground passageway connecting Lavenham Priory to the Swan Hotel, which was built during the Reformation.'

Facing onto Lady Street, The Grove is a timber-framed house with a Georgian front and gardens that stretch back to Barn Street. It was in the gardens that: ' a Roman bath or crypt was discovered and evidence of an underground passage leading from the splendid building on the Barn Street side of the Grove garden towards the Guildhall was also found.' The Guildhall is a sixteenth-century timber-framed building founded by the local wool guild and later used as a bridewell and workhouse; today it is a National Trust property.

On the corner of Water Street and High Street stands the Swan Hotel with the old Wool Hall now incorporated into it. In the fourteenth-century cellars there is said to be a blocked entrance to a passage that runs along under the road.'

Little Hall, Lavenham, is also worth visiting (no secret tunnel) - see here - a 14th century house with plenty of atmosphere, used as a kind of artist's hostel during the middle years of the last century by the Gayer-Anderson brothers who amassed an eclectic collection on antiques, pictures, books and Egyptian artefacts including the famous Bastet Cat Goddess, now in the British Museum.

We also visited Bury St Edmunds, home to one of the 'vanishing fiddler' tales popular in that part of the country.

'In Bury St Edmunds, a number of buildings have been incorporated over the years into the ruins of the great Benedictine abbey, once among the richest in Europe. On Angel Hill, the Angel Inn, now the Angel Hotel - built in 1779 on the site of three adjoining inns, The Angel (build in 1452), The Castle and The White Bear - sits on arched vaults that date back to the thirteenth century.  Tunnels are said to honeycomb Angel Hill and local legend connects them with Maud Carew, a nun alleged to have poisoned Humphrey, Duke of Gloucester (1390-1447), who was arrested on his arrival in Bury St Edmunds on 18 February 1447 and died on 25th of that month. Her ghost, seen as a 'Grey Lady', 'still patrols the buildings, passing in and out of the walls with celebrated abandon.' The legendary tunnels are very likely remnants of the abbey's drainage system. Once more we hear of a bold fiddler being  the only person willing to enter the tunnel under the Angel, being followed on his subterranean journey by a crowd listening to the slowly fading music that suddenly ceases, with no subsequent sign of the fiddler - 'probably he was instantly suffocated by some unwholesome vapours that he there met with.'

Photos above of Lavenham Priory, The Grove and The Guildhall in Lavenham taken by me, Angel Hotel in Bury St Edmunds (not by me).

Wednesday, 25 April 2018

The Haunted City Conference




I am delighted to have been asked to speak at The Haunted City: Modern Monsters and Urban Myths, a conference to be held at Conway Hall in central London on Saturday June 30.

Booking details here.

There is a fascinating array of speakers including many whose works I have cited in my own books and research. For example Mike Dash has produced excellent archival work on Spring-Heeled Jack, banishing the myths perpetrated by Peter Haining; Dr David Clarke has not only written on folklore but is the (co) author of some of the most clear-eyed books on UFOs, particularly the British experience, based on meticulous research through government files in the National Archives.  I am also interested in hearing more about Slender Man, who infiltrated the online community a few years ago.

I hope to have books for sale throughout the day.

I imagine tickets will go fast, so make sure you get one.




Tuesday, 17 April 2018

Further Spring and Summer Talks and Events





More talks and events coming up.

A talk on the life and art of J A M Whistler at Putney Library Thursday 24 May 7pm. Details here.

A walk based on William Burroughs sojourn in London in the late 1960s, early 1970s will take place on Saturday 26 May from Westminster Reference Library 3-5pm. I will be joined on this guided walk around Burroughsian haunts in Soho and St James's by Dr William Redwood and samizdat printer and publisher Jim Pennington who met Burroughs during this period - see this interesting piece about him here. This event is organised by Salon for the City and tickets must be booked and paid for online in advance. See more details and for booking tickets here.

It will coincide with an exhibition at Westminster Reference Library featuring parts of the archive of London countercultural legend Barry Miles. See here and here. There will be a live interview with Miles at the library on Wednesday 30 May again organised by Salon for the City. Details here.

An article in The Quietus here.

A talk on the life and art of J A M Whistler at Kensington Central Library Thursday 28 June 6.30pm. See here.

Whistler in Chelsea walk from Chelsea Library Thursday 12 July.  Details here.

Decadent London talk at Kensington Central Library Tuesday 24 July 6.30pm. Details to follow.

Talk at an urban folklore conference in central London in late June. Details to follow.

'Tunnels Under Holborn' talk at Holborn Library Local Studies Centre Thursday 11 October 7.15pm. Details to follow.

Gary Lachman's talk on Aleister Crowley at Kensington Library last month can be seen here.